SELF INCRIMINATION Research Paper Example | Topics and Well Written Essays - 2000 words

SELF INCRIMINATION - Research Paper Example Two main principles of the Fifth Amendment therefore include protection of rights of persons undergoing criminal proceedings in the courts, to further support the premise of innocent until proven guilty. Secondly, the principle of prevention of prosecution conduct likely to compel defendants to give their own incriminating evidence takes shape in the Fifth Amendment. Judges cannot compel individuals before court to give information that would directly affect negatively in their pursuit of exoneration in court proceedings. Other persons with an interest in the case cannot compel the defendant to give evidence against themselves within the precincts of the court (GetLegal, 2012). The Fifth Amendment therefore controls any influence that could alter the defendant’s opportunity to present their case before court with confidence that they will not face undue pressure to incriminate themselves, thereby destroying their enjoyment of right to be innocent until proven guilty. Another emergent theme in the Fifth Amendment is the active separation of powers in criminal proceedings, where the executive faces barring environment against use of force on witnesses’ rights. The interpretation of the Fifth Amendment has however faced various contestations with regard to the parties and conditions against which the Amendment gains enforcement authen tication. In Miranda v. Arizona, a case that took place in 1966 the United States Supreme Court defined the admissibility of evidence obtained irregularly from the defendant, particularly within the conditions of absence of an attorney to guide the defendant during questioning. According to the court’s argument, obtaining exculpatory and inculpatory statement in gathering prosecutorial evidence exposes the individual to conditions that may violate their own constitutional rights of informed consent. The right against

Policing Development and Operation Trends Essay Example for Free

Policing Development and Operation Trends Essay Write a 1,050-1,400-word paper in which you analyze the organizational management, administration, and operational aspects of policing within policing organizations. In your analysis, be sure to evaluate past, present, and future trends pertaining to the continuing development and operation of the field of policing and how these evolutions impact various policing organizations (local, state, federal). Format your paper consistent with APA guidelines. You can learn lots in college. It is not only a great place to get an academic education, but you can get a social education, too. When you use the advice from this article, you can make your time in college success and productive and the best time of your life.

Contemporary Artwork: Comparison and Analysis

Contemporary Artwork: Comparison and Analysis The two pieces which I have selected for comparison use similar technique to encourage an entirely different outcome and audience response. It is the way in which these artists go about their creative process, and how this, in turn provokes such contrasting concepts, with such similar mediums that engages me. The first piece for comparison is the haunting photographic installation (Fakray, 2009) Les Suisses Morts By Christian Boltanski, 1990, to be compared and contrasted with the fashion/art photographic editorial Hold on to your hat by photographer Stacey Mark, 2009, consisting of five components. Similarly the work of Boltanski consists of multiple photographs in order to enhance narrative. The most significant parallel between the two pieces ( other than choice of medium) lies in the soft focus aesthetic of the photographs in question, which creates the illusion of the subjects fading into and out of the work, in turn evoking feelings and introducing notions of presence and absen ce within the work (Roca and Sterling, 2007). Both works appear to have strong associations with Phantasmagoria (Roca and Sterling, 2007), the illusion of constant alterations in light and colour encouraging a dreamlike state involving the fusion of reality with the imagination (Gunning, no date). The overall effect for both pieces is some what visionary, yet they conjure up quite contrasting emotion within their audience. In this essay I will be identifying the conscious artistic choices which have been made in order to make the work similar yet so dissimilar at once. Hold onto your hat by Stacey Mark is effectively a fashion photographic editorial which has been executed artistically in order to transport the onlooker into a whimsical dream world. Featuring a young woman, the work is very sensuous and moody (McGrath, 2009), and with this in mind, has been designed to sell, promote and bring back the boater hat, an object of the past. (The past is just one of the themes dealt with in each piece, as Boltanski brings back from the past haunting memories of the deceased (Fakray, 2009), into the present, enabling them to live on). There is, therefore, a central focus to the work, which every artistic decision relates back to in order to create a strong cohesive narrative for the editorial spread consisting of five separate photographs. Whilst the eventual aim of this piece is to sell to an audience, the work of Boltanksi endeavors to have an entirely different effect upon its audience through visual disruption and intense emotional impact (Feinstein, 1997). Christian Boltanski is heavily involved in the devastation and loss of life which took place during the Second World War and the Holocaust, a complete contrast in subject matter to Marks photography. The emotional power of Boltanskis work derives from the mental ties that the audience relates when in the presence of his installations. His photographic installations featuring portraits of the deceased that were published in the obituary of a Swiss newspaper are particularly powerful, perhaps disturbing to the audience in their suggestion of the Holocaust (Simon, 2003). Boltanski appropriates his source material in the creation of his haunting archival installation consisting of vast collections of photographs (Fakray, 2009). Contrastingly, although with the use of the same medium to express her ideas, Stacey Mark takes her photographs, beginning with an empty film and following her work through to the end using only the products of her creative efforts. This is not to say that the wor k of Boltanski is any less evocative, in fact perhaps the creative process in which he immerses himself, renders the outcome all the more meaningful, with greater impact than what may have been if he had of produced his source material himself (Fakray, 2009). Lighting is an element which is used very differently and carefully within these two pieces to evoke contrasting feelings within the audience. In Les Suisses Morts Boltanski lights his subject from above, in turn creating a strong sense of interrogation ( artline, no date) where the eyes of the photographic subjects fall into deep sinister shadows. The image appropriation combined with the applied lighting technique lends each portrait a Shadowy skeletal form and Semi obliterated face, (Caines, 2004) thus having a powerfully haunting effect upon the audience. Adversely the lighting adopted in the photography of Stacey Mark enhances the luminosity that diffuses from the work, having quite the opposite effect on its audience. Bright yet soft light seems to diffuse gently onto the subject of these photographs, giving the images a dream like and visionary effect, perhaps achieved through the use of back lighting as well as forward facing studio lights. With this lighting Hold onto your h at achieves a sense of serenity as well as purity and femininity, all feelings that are helping to sell this product through appealing to the audience. Marks use of such lighting lends a soft focus and pictorial aesthetic to the work whilst Boltanski achieves a similarly pictorial effect (Franzke, 2009) with an entirely different approach. Les Suisses Morts assembles old photographic portraits of the deceased Swiss appropriated from newspapers, which have been re-photographed and enlarged by Boltanski, rendering them slightly larger than life for maximum audience impact (Vetrocq, 2008). Boltanski takes care to enlarge to enhance audience response rather than to distort for the sake of realism, yet he still attains a soft focus, slightly blurred and vague aesthetic as a result of this augmentation which is characteristic of his work as it works to encourage notions of absence and presence, (Simon, 2003.) This alternative method of working generates stronger references to childhood, innocence, death and memory, (all central themes explored in his work), as a result of Boltanskis use of real portraits, each with their own story to tell (Hylton, 1995.) Boltanski aims to subvert his audience and provoke deep feelings of melancholy, both of which he is able to significantly enhance upon with the use of real life portrait appropriation, (Simon, 2003.) Such realism within the work inflicts a dense emotional impact upon the audience as Boltanski touches upon notions of death as well as the disintegration of memories over time, which in turn induces a sense of nostalgia amongst the viewers, longing for lost loved ones and their own childhood (Caines, 2004.) In a similar, though more light hearted way, Hold onto your hat by Stacey Mark has the audience feeling nostalgic for their childhood and the days of dressing up (fashion gone rogue, no date). Though his message is powerful, Boltanski objectifies and dehumanizes his photographic subjects in various ways. The many faces comprising his archival installation are anonymous to the audience; they are unknown faces which Boltanski arranges to be read as whole, rather than paying attention to the individual. A Photograph captures a moment in timeà ¢Ã¢â€š ¬Ã‚ ¦by its very nature it implies selection and priority, and each portrait reflects a snap shot second of an entire life (Caines, 2004). At first the audience feel oppressed by the vast numbers of deceased faces towering over as a result of Boltanskis dehumanization reminding us of the absurdity of death, however the work then begins to forward the concept of memory, which seems to counteract some of the ramifications of death, as the audience begin to identify with the individual, (Fakray, 2009.) In this way, both pieces appear to promote. Whilst Boltanski promotes a concept and an idea, Stacey Mark uses artistic and creative efforts to promote a product and to sell, and it is in this way that Mark objectifies and dehumanizes his photographic subject. Mark uses the girl as an object through which to sell a product meaning the girl herself is a selling point as she compliments the boater hat, and vice versa. The beautiful accessory, on the young girl, with the carefully lit back drop, soft focus effect and expression of serenity all help to create a cohesive and strong narrative with a sense of beauty and innocence (McGrath, 2009) through which to sell a product. Innocence is a feeling felt in both pieces of work, particularly in the sense of vulnerability and helplessness which Boltanski achieves in his installation, (Hylton, 1995.) It has been interesting to explore two contemporary art pieces which have such different functions yet remain correspondent in several ways, as well as the contrasting creative processes that these entail. The most engaging way in which they differ and compare at the same time lies in the contrasting lighting techniques which both seem to bring about notions of absence and presence, yet conjure up opposing feelings and emotions within the audience with different aims. Through the investigation of the photographic medium used in installation as a fine art practise and in fashion as an editorial through which to sell, I have been encouraged to focus on meaning behind work, and more contemporary ways of working. Word count: 1, 478

Blood Revenge In Julius Caesar :: essays research papers

“Et tu Brute?'; Caesar sputtered before falling into the darkness known as death. But this was not the end of Caesar however. Caesar returns to this world as a “shade'; or ghost form. In fact, in this form he exerts more influence over Brutus than he ever did in mortal form. “Caesar is more powerful in his spirit for to affect Brutus than in his mortal form. It is in this ghost form, Caesar full-fills his revenge on Brutus.'; (netessays.net) Revenge did not occur in the ancient world only in plays and stories. Revenge was a way of life, an every day belief of the ancient times.   Ã‚  Ã‚  Ã‚  Ã‚  In ancient times, the times of the Greeks and Romans to be precise, the inhabitants believed that death was most certainly not the end. As a matter of fact, many of these people built entire religions around the prospect of life after death, such as the Greeks and the Romans. A strong belief of the Greeks was that the ghost or “shade'; was so extremely powerful that “many a time the murderer would mutilate his victim to flee the dead man’s direct revenge.'; (B-Revenge)   Ã‚  Ã‚  Ã‚  Ã‚  Another strong belief in the idea of blood-revenge centered around native gods. The people of the time believed that the gods played an important role in blood-revenge, especially if one of their laws were defied. In the Odyssey, Zeus and Athena intervene on Odysseus’ behalf when Odysseus wishes to destroy the suitors that had plagued his palace for a number of years. Zeus intervenes after his sacred policy, his policy of hospitality, was violated and for that the suitors were punished. In Julius Caesar, there is no evidence of any specific gods interfering, such as dialogue or actions, but there are many supernatural occurrences. These omens show that something supernatural, be it a god or fate, knows what is going to occur in the near future. Therefore, the omens show evidence of god-like activity foreshadowing, either warning or maybe even sponsoring, the revenge.   Ã‚  Ã‚  Ã‚  Ã‚  For every sin committed there is an unavoidable consequence, as is the case when the conspirators try to harness the future. Even though Brutus’ actions are noble, no one can ever hope to control history, those who try suffer a terrible fate. “Caesar, Brutus, and Cassius are all guilty of arrogance in believing they can control history; as a consequence, Caesar precipitates his own death and the other two merit the retribution that overtakes them.

A Speech by a Human Resource Manager Essay

1. What roles the HR function has been playing in the company? The human resource management has been playing an indispensable role in this bank. From the case we can find out the HRM includes many functions: (1) Recruiting the right person for the right job at the right post. (2) By constituting and implementing policies, accessing and monitoring the employees’ performances. (3) Helping design training programs that support employees continuously improve. (4) Assisting organizational members in how to work effectively (E.g., team building). Aiming to increase increases the level of performance, productivity and also improves the quality of the product and service. (5) Making the employees satisfied with high quality of work life. Giving them equal chance to realize their potential and fulfill their career dreams. (6) Supporting the organization achieve its strategic goal. 2. How would you describe the HR management practices the company is implementing? Can they be transferred to the other Nepali organizations? The company is implementing the various HR management practices. It holds a weekly meeting to discuss day-to-day activities to achieve the organizational goal easily. Through the Internet access to the HR system the company has been able to reduce its recruiting cost by more than 33 percent. They implemented a detailed policy on employee monitoring keeping informed on employee activities. They also enlightened each employee of this organization of this policy. They also helped design training programs that support senior manager’s continuous improvement program. The manager also emphasizes on teamwork and adaptability to change. I think some of these practices can be transferred to the other Nepali organizations. Because many companies only focus on productivity and profit, but ignore the resource of human that created the wealth. So how to use this resource efficiently is a big issue for an organization. The practices of this successful bank can be used for reference. However, in accordance with its own circumstance, the policy and the practices can be implemented properly. 3. What are the major HR challenges/issues facing the company? Do other organizations face similar challenges? How they can be addressed? –The major challenge identified in this company is the changing environment. As said by the manager that organizations have evolved tremendously over the past decade and change is no longer something that occurs in a controlled fashion. So the important thing is to learn how to become more flexible in dealing with the changes that will arise and taking active roles in the management. The vice president plans to retrain the human resource in terms of effective managerial skills and competencies such as project management and team building. –Second, the sophisticated technology that makes jobs getting more complex and requires significant interaction is a challenge as well. The manager should ensure that they have the right people for those jobs, which in most cases, will require then to continuously train and upgrade their employees’ skills. –Diversity among the staffs is another challenge for them. All employees are not alike either in skill level or in their backgrounds. Thus the company needs to recognize and respect differences in people so that it can capitalize on their strengths they bring to them. No doubt other organizations will also face the similar challenges. However, respecting people and retraining the employees are the basic solutions to these challenges.

“Journey’s End” by R.C Sherriff Essay

Journey’s End is a play about British soldiers in World War One, and the effects the war has on them, both physically and mentally. The play explores many aspects of war life, including friendship, alcoholism, class boundaries and the lifestyle of the men in the trenches. This essay explores how the play shows the effects of war on those involved, looking at use of dialogue, lighting, props and other key dramatic devices. The essay will mainly focus on Act 3, Scene 2 of the play, but relevant quotes from other scenes in Journey’s End will also be used to help illustrate points. Stanhope, the Commander of the company, is a prime example of how the war effected many intelligent, able young men. The audience knows Stanhope is a good officer and is well respected from earlier dialogue in the play. For example, in Act 1 Scene 1, Osborne says, â€Å"He’s a long way the best company commander we’ve got†, and Hardy agrees. Stanhope is also a humorous man, and can get on very well with his fellow officers. For example, at the beginning of Act 3 Scene 2, he has all the men in stitches, relating tales of mischief with women. However, he appears to only be in a good mood when he has been drinking, which he does a lot. We know this because in the very first scene of Journey’s End, Hardy discusses Stanhope’s drinking habits with Osborne, saying, â€Å"I never did see a youngster put away the whisky he does†. One of the main effects of the war on Stanhope is his drinking. He drinks for â€Å"Dutch courage† on the battlefield, and in Act 1 he confesses this to Osborne, saying â€Å"If I went up those steps into the front line without being doped up with whisky I’d go mad with fright†. This quote tells the audience that Stanhope has come to depend upon drinking to help him cope, and certainly has some kind of alcohol problem. The excessive drinking also greatly affects his temper, and he has fierce mood swings throughout the play. An example of one of these mood changes is the contrast between his  jolly, merry demeanour at the beginning of Act 3 Scene 2, and the und iluted rage he expresses later on in the scene when he confronts Raleigh about his failure to attend dinner. These changes in his demeanour are shown by the changes in tone and volume of his voice throughout Act 3 Scene 2. At the start of his confrontation with Raleigh, he speaks in a fairly mild, controlled tone of voice. Silence is indicated by the stage directions to create tension, for example â€Å"there is silence except for the the rumble of the guns†, creates a distinct impression of awkwardness and fraught tension. The use of silence also contrasts strongly with the way Stanhope yells angrily at Raleigh later on in the scene. These sound devices both grab the audience’s attention, and show them just how enraged Stanhope is. Even the sight of Raleigh appears to anger Stanhope. This is because Stanhope was at school with him, and is engaged to his sister. Stanhope is paranoid that Raleigh will tell his sister about his drinking habit, and seeing a familiar face from the outside world has rattled him because he is so used to the routine of war. After Osborne, whom he was very close to, is killed during a raid, the men do not openly grieve, but try and act normally to keep their morale up, and have a dinner with cigars and champagne to celebrate the successful raid. Raleigh refuses to go to dinner, which greatly angers Stanhope. By the end of Act 3 Scene 2, Stanhope is absolutely livid with fury. The last line he shouts; â€Å"For God’s sake, get out!† is then followed by silence, which is a very effective device in grabbing the audience’s attention and creating a mood of fear and apprehension. Overall, Act 3 Scene 2 is most effective in showing an audience just how much of an impact th e war has had on Stanhope and his personality. Raleigh is another character who is greatly effected by war, but, unlike Stanhope who has been been in the trenches a long time, Raleigh is very inexperienced, which makes him appear extremely naive and vulnerable. Raleigh’s first reaction upon entering the trenches (Act 1) is that of surprise. He has been expecting more noise and excitement, and says to Osborne, â€Å"How frightfully quiet it is!† To begin with, Raleigh is very eager to go out and fight, but Osborne’s death  after the raid has a big effect on him. He cannot understand how the men can sit, eating fine food and drinking champagne ,when one of their closest companions has been killed. However, Raleigh does not realise that the reason why they are doing this is to try and help themselves to forget the tragedy that has occurred, and to boost morale amongst the men. Raleigh has misunderstood the situation, and only realises his error at the end of Act 3 Scene 2, when Stanhope shouts, â€Å"You think there’s no limit to what a man can bear?† Raleigh tries to apologise, but Stanhope is too incensed with rage to listen. By the end of that particular scene, even though Raleigh has only been at war for a week, he is already a changed person. His short battle experience has erased whatever distorted expectations he has had before, and he now knows about the harsh realities of life in the trenches. We know this because of his obvious change in mood and personality- by Act 3 Scene 2 he says a lot less than he has beforehand, and stage directions tell us at one point, â€Å"Raleigh speaks in a low, halting voice†. R.C Sherriff has chosen to alter his speech and tone of voice to show the audience clearly how the raid has affected Stanhope as a person. Osborne is a character who is very much aware of the realities of trench warfare, as the oldest and one of the most experienced officers in the Company. In Act 1 the stage directions describe Osborne as â€Å"hard as nails- physically and emotionally strong†. He is a father figure for the other officers, and is affectionately known as â€Å"Uncle†. Osborne is also a loyal and caring friend. The audience knows this because in Act 1 he defends Stanhope to Hardy, who is criticising the Commander’s drinking patterns. He also puts Stanhope to bed when he is drunk, which shows that he has a caring nature. He and Stanhope are extremely good friends- the war has brought them very close. Dialogue throughout the play shows that Osborne tends to use short sentences, such as â€Å"Oh?†, and â€Å"I see†. He is more of a listener than a talker, and that comes across in the conversations he has with other characters. It is quite possible that he has always been a quiet man, but the war could have caused  him to become even quieter and more withdrawn. In Act 3 Scene 1, before he goes out during the raid, Osborne gives Stanhope his watch and ring with a letter to give to his wife, â€Å"just in case† anything should happen to him. Stanhope reassures him, â€Å"You’re coming back, old man† , and the two men laugh as they go their separate ways. However, neither of them really know if Osborne will come back alive or not, and this fear and uncertainty is another effect the war has on the men and their lives. Throughout the play, lighting is used to set the mood and display to the audience as realistically as possible what it was like for the men living in the dugouts. There is little light for most of the play, just dim yellow candles. On the very first page of the play, lighting is described in some detail. Phrases such as, â€Å"A pale glimmer of moonlight†, and â€Å"the misty grey parapet† give the idea of a gloomy, shadowy atmosphere. The lack of light must have affected the men’s sense of time and place. In the play, Trotter keeps a calendar so he can tell what day it is, and how long it is until the raid. However, in Act 3 Scene 2, the stage directions say, â€Å"The dugout is lit quite festively with an unusual amount of candles†. At the beginning of this scene, the lighting reflects the bright, jolly mood of the men, and contrasts strongly with that of the previous scene. The sounds and props used in this scene are also very different to that of Act 3 Scene 1. The sound of laughter replaces the sound of heavy guns, which lightens the mood and relieves tension considerably. There are empty champagne bottles on the table, which shows they have been enjoying themselves. The food described in this scene (roast chicken), is very different to the food the men consume in earlier scenes. In Act One, when Osborne asks what flavour soup they are having, Mason replies, â€Å"It’s yellow soup sir†. Most of the officers came from upper/middle class public school backgrounds, so quite a big effect on them would be having to eat small portions of revolting, non- nutritious food. It would also be a major change for many of the men not having washing facilities, and having to survive in appalling living conditions. Many men would have suffered from acute boredom  when nothing was going on, so many (like Stanhope) reverted to drinking or smoking heavily just for something to do. The war affected all the men involved in so many different ways, but obviously the main effect was that so many of them lost their lives in battle. At the end of the play, Osborne and Raleigh have both been killed but Stanhope lives. The deaths of Raleigh and Osborne show that war is indiscriminate, and death can occur at anytime to anyone, regardless of age or experience. Raleigh is a young, inexperienced newcomer, and Osborne is an experienced senior officer, but they both die within a few days. Journeys End shows the effects of the war on the men involved very realistically, using dramatic devices such as sound, dialogue, props and lighting very effectively. It paints a clear picture in the reader’s mind of what it was like in the trenches, and how the men were affected by battle.